Sharkk Heartt, a moniker born from a period of starting completely anew in life, has released just 3 singles as such. But Lara Ruggles – the mastermind and solo artist behind the project – has seen transformation like no other throughout her music career. We are lucky enough to have the exclusive premiere of the new music video for her single “Work Fires” in advance of its release. And what a ride this particular video is!
Vivid, heart-stopping performance set to the backdrop of bold, gorgeous outdoor mural art made to look like natural landscapes. And all of this, from just the first two frames. Other ecosystems and landscapes are introduced to the fold, as a very literal interpretation of the lyrics can be seen played out by Ruggles and a male cohort in front of a mural, while she performs the song with grandeur to his unaware character.
Featuring talented dancers Kevin Hainline, Na-il Ali Emmert, Andrea Connolly, Emily Truman, Taylor Eason, Terry McCants, Betsy Ganz, Nanette Knight, and Micheila Karringten in differing habitats with the collective choreography stylings of Chezale Rodriguez, this music video enhances the very necessary need for community, especially in this time. Each movement perfectly timed to the danceable rhythm that has been created with Ruggles’ minimalist instrumentation approach and full, energetic vocals.
“Work Fires” was created in a moment where Ruggles realized she might sometimes like to be a work fire for someone. Her personal anecdote? A music manager promised to come to her show and she was excited at the idea of being managed by him professionally. Yet, he ended up changing plans last minute. Explains the artist, “He’d gotten ‘caught up in a work fire. I had this fleeting, petulant thought of ‘I want to be one of your work fires.’ And then that became this catchy phrase that I kept tossing around in my head and started to add onto while I was still on the road.”
Since its inception in 1993, independent record label — Saddle Creek Records — has consistently earned itself a place on the shelf as being home to America’s favorite indie artists. From Bright Eyes, to Spoon and Big Thief; the Nebraska based college-project-turned-business’s roster draws fans from across the globe. Continuing Saddle Creek’s trajectory of success is rock band Ohtis, who just made their appearance on the label’s most recent project: the Document Series.
With roots dating back to 2004, the Ohtis trio is made up of Sam Swimson, Adam Pressley and Nate Hahn. Now presenting their single, “Schatze”, the three are joined by a feature from Saddle Creek’s very own, Stef Chura. The new track and accompanying music video foster a tech-savvy backstory that is irresistible for our current media-plagued generation. The song’s spacey beginning, strong rock anthem and head-bobbing bass line will undoubtedly land the group on top tier, alternative-loving playlists far and wide. Beyond that, Stef Chura provides authenticity– supplying us with realistic responses to someone who, quite simply, is bothering the shit out of you.
The Document Series serves as an effort, on Saddle Creek’s behalf, to allow bands not already a part of their label family to express their own musical communities, creations and desires. According to Ohtis themselves, “Schatze” lays out a character study of the “Selfish Antisocial Male”, primarily told through the lens of Sam’s longtime girlfriend.
This month threw so much talent in our face, and 2021 really feels like something special because of it. Check out some of the best music videos we have seen this month, and check back all year to re-visit 2021’s first releases! Including videos from Bailey Bryan, Evan Stanley, Planned Dilemma, ALPHA HOPPER, and more.
If it’s been a second since you let yourself get totally wrapped up in melancholy, Zoe Wees’ single “Girls Like Us” is the perfect opportunity to get all up in your feels. The woman’s insanely rich vocals glide across a dance beat, as her heartbreak is laid out for all to witness.
The accompanying music video? Even more intense and dramatic. Gorgeous jewel tones inform the visuals, as Wees can be seen singing, crying, having makeup removed, and singing her lungs out over a variety of striking backdrops.
It moved me to tears.
“It’s not always good to think about how you look to the rest of the world,” shares Weed. “It’s much more important to think about how you feel inside. It is not easy to call yourself beautiful but being confident helps you to accept and love yourself.”
Captivating alt duo Phantom Wave released the new music video for their single “Billows” today, and we’ve got the exclusive premiere for your eyes only. Drenched in vivid colors and drastic, psychedelic movement, this visual is a trippy testament to the impact of the audible art that is flooding our consciousness. There is something magical about the way the lyrics dance along the gorgeous, building instrumental composition that – coupled with the abstract visuals – makes this experience feel very personal, and yet somehow universal.
Jewel tones, simple, gorgeous performance visuals that dance along the fine line between simplistic and artful masterpiece. This is how we would describe the new visual for Los Angeles-based alt-indie duo Dark Side of The Light’s (Nik Frost and Grant Conway) momentum-driving single “Moist”. Expands Frost:
First of all, everything for us emanates from beats and rhythm ideas for the most part. The groove is a really important part of what we do. We took two drummers, Grant and a friend and put them into a room together and had them jam to the sick base loop, recording it live with a stereo mic. What we got sounded almost like samba or something which opened up the song to a whole new world. The actual audio at the beginning of the track is us playing live in the rehearsal space. From there I took the drums and started programming them like they would’ve done back in the day when they were using Akai samplers to do this kind of thing.
I kind of chopped the audio up into different parts and as melodies came to me, I filled the lyrics in. It was one of those songs that while it sounds complex, it actually came pretty easily and I think we created one of the best tracks on the record.
The percussion in this particular track is its own brand of cool, incorporating a soulful and somehow almost hardcore feel to it while we melt into painstakingly well-crafted melodies and a trance-like state of free fall.