If you’ve been looking for instrumentals that will touch your soul simply and evoke emotion before the vocals even hit, check out Steven King‘s new full-length Steven King on Ice. In fact, try on the first track “Water” for size, and you’ll already see what we mean. Not to mention the fact that King’s pace switches pretty fervently between slow ballads (“Seams Are Splitting”, “Fly to the End”, “Run to the Back”, “Wine”) and a relatively danceable pace (“Water”, “Black Mood”, “Champion the Idiot”, etc.) throughout the nine track album.
Hailing from Columbus, Ohio, King has crafted melodies that make most of these tracks streamlined for television and movie placement. We are floored by the talent on Steven King on Ice. “Champion the Idiot” has pulled some obvious inspiration from 60s favorites, while songs like “Milkshake” have a bit more of a 90s appeal to them. And — even though there are a myriad of topics addressed in the album and, in that way, it can feel kind of scattered — it all seems to come back around to introspective thoughts, highlighted with lines like, “What’s this world to you?” in last track “Wine”.
We’re very into this album in its entirety, and will probably be championing it all week on Spotify. Take a listen below, and let us know what you think on our Facebook page!
It’s been quite the year for powerful female vocalists. We’re totally on board, and it doesn’t look like a trend that is going to let up anytime soon. Take fresh Norwegian songstress HALIE, for example, with her new track “Circling”. Equal parts mysterious and beautiful, this song really takes you to a dark, oftentimes emotional, place. Her immense talent is palpable, as she is just gaining her footing in the industry. This song is simply one of a handful of singles she has released in the past. Let HALIE’s vocals put you in a trance today by putting the track below on repeat.
You’re into mid century modern decor, correct? I mean, aren’t we all? Especially after Marie Kondo helped us clear out our closets last year, and Bobby Berk started re-designing them! Well, imagine what you love about that style. The simplicity, the boldness, the beauty. This is what experiencing Cayley Thomas‘ music is like. Her vocals are delicate, yet wide-ranging, the emotion put into her work most palpable. “Midnight Hours” is no exception, and the music video is just as luxurious as our decor dreams. An emptiness is felt, encouraged by the vocals but entirely detectable in the video, yet it is alongside a beauty we cannot shake.
Take a moment to appreciate a gorgeous voice and a captivating music video below.
KP Wolfe introduced herself to the world this week as a vocal powerhouse with the music video for her single “Take Back The Ring”. Grit pours from her lips as she energetically sings about heartbreak. The video itself is pure drama, shot in low light gorgeousness. Equal parts attitude and natural beauty, the song itself is highly relatable. The next breakup anthem, perhaps?
We’ll be belting out “Take Back The Ring” for the rest of the day.
San Francisco-based indie rock outfit Bells Rang is ramping up to release their new single “Tone Poem” on November 22nd. But we’re jumping the gun (so to say) to bring you the exclusive premiere first! Smooth, assertive, bluesy. This is a soundscape we can get on board with, and we’re certain you’ll get lost in the whirring guitar and reverb the way we have. Check it out below, and let us know your thoughts on Facebook!
Breezy, ethereal vocals. Light as a feather instrumentals, a warm and inviting soundscape. All of these factors are involved in VanWyck‘s newest full-length release, out today. The project, titled Molten Rock, is comprised of twelve impossibly beautiful tracks, inspired — in part, at least — undoubtedly by the folk of yesteryear. A slow, steady pace is established with first track “Supermarket Line”, and continues into “Lead Me On”, while “Rock Carver” brings with it more assertive instrumentals and a raspier take on the vocals.
“Make of Me” slows everything down to a crawl, gorgeous and sprawling in its soundscape. It is here that we take pause, to realize how important it is to note the comparisons to Leonard Cohen and Nathalie Merchant that VanWyck’s debut album drew, and to notice the way the music has evolved in the space and time since that album was released in 2018. As we roll into “Carolina’s Anatomy”, we feel an attraction to a new love the way this song seems to convey.
Have you ever been this close to feeling no remorse
and being where you want to be
“High School Gym Wall” is even more delicate than its predecessors, something we never would have guessed by its title. Haunting in a way that impresses, it perfectly introduces “Be It to the End”, which brings with it a darker, more theatric atmosphere. “Breakfast Room Revelation” is layered, a ballad of sorts that holds as one of our favorites from this collection.
“The Boatman Calls” and “Like an Ambush” are both solidly beautiful tracks, leading into “The Rock Steady Creeper” which is also impossibly relaxing in its disposition, despite the title. VanWyck expertly rounds out the album with twelfth and final track, the title track, which has the sonic feel of witnessing molten rock cascade down a landscape. The lyrics are descriptive, painting an intense picture, comparisons we all have the capacity to feel.
This album, if nothing else, urges you to feel. Whether by its intense and relatable lyrical content, or its lavish soundscapes. Experience it in full below, and let us know how you feel on Facebook!