LA-based R&B star Taylor DeBlock is pulling all of our heart strings with his new EP Manque. It is appropriately named, seeing as the running theme throughout the 6-track EP is how it feels to miss someone. The up-tempo spirit of the opening track “NECESITAS” perfectly captures the feeling of losing patience while waiting for somebody that you feel really complements your life. This same sentiment is echoed on tracks like “SAY” and “CALL ME”, both of which showcase the DeBlock’s romantic availability. There is room to slow things down, as highlighted by “RIGHT WAY”, a more vulnerable take on trying to understand the thoughts inside someone’s head.
DeBlock is providing the world with the perfect winter soundtrack for feeling stuck inside not only our homes, but even our own heads. With relatable subject matter that can resonate with a wide range of situations, Manque is here to sooth that often-frustrating feeling of having overbearing thoughts.
DeBlock says of the meaning of the EP:
Originally taken from the French ‘tu me manque,’ meaning ‘I miss you,’ the EP’s title displays a two- fold meaning. A ‘manqué’ is also someone who has failed to live up to an expectation – accepting what has become, the manqué eventually sees where they fell short and must carry on.
As the holidays approach and the pandemic rages on, the feeling of missing things from the past are likely to increase. This is where Meredith Shock’s nostalgic new tune “Maybe This Isn’t Home” comes into play. The track takes us to Shock’s childhood home that she is returning to after starting to build her more grown-up life in Nashville. In a beautiful display of lyricism, Shock adds a personal touch to the song, describing in detail the different things that make her childhood home feel safe and normal. This makes for a more emotional experience on the part of not only the listener, but the singer as well. When all is said and done, it is easy to notice that the song has successful echoes of moving on and growing up while also highlighting the appreciation she has for the home that built her.
Shock says of the track:
I think a lot of people can relate to this song, especially young adults, who have left towns that they spent most of their life in and are beginning to build homes somewhere else. Although it could be considered a sad song, I also want it to be uplifting or hopeful– there’s something to be said about realizing that you are more than just a place you grew up in and have known your whole life.
Sitting in his third-grade math class, Mike Richards, aka A Note Two Self, realized that he would much rather join the kids who were playing music. That is exactly what he did. Fast forward to the present and A Note Two Self is releasing a new track called “Love Drunk”. What starts off as a simple guitar-heavy track quickly turns to a big band, acoustic production, complete with pumping percussion and electric riffs. The story is that of somebody who is willing to give their entire self to the person they have fallen for, and it almost resembles a worship song, one you would hear in the grandest of cathedrals. Perhaps this is because the track is essentially that feeling of worshiping and wanting to shower your person with love. “Love Drunk” takes you to one of the happiest places a song can go.
A Note Two Self explains:
“Love Drunk” was inspired by that feeling of unconditional love and being so enamored that you’re super caught up in the moment. No matter what happens through the good times, the bad times, when you’re in the middle of the whirlwind you’ve got an anchor keeping you grounded.
Jenny Lewis has unexpectedly teamed up with Chicago-based rapper Serengeti for the new track and subsequent music video for “Unblu”. As the lyrics create the feeling of yearning for someone who doesn’t seem to be emotionally available yet, the video enhances this longing desire by getting closer to the listener than would be possible had they not shot it with simple iPhone technology. In a way, it feels like a series of video diaries, put together to present to the person you are waiting for so they can see how your life has been while you have been waiting. “Unblu” is a not-so-subtle display of loneliness and fervor, tied together in a package of smooth and rich sonics.
Lewis and Serengeti say of the process of creating the song and video:
To accompany the music, Jenny made videos on her phone during the witching hours, editing while under the covers. Then Jenny texted the tracks to another People alumnus–Andrew Broder in Minneapolis—who co-produced and mixed the songs, taking them from Garageband phone music to music that gently thumps you. Music to dance around your living room in a Day-Glo bathing suit to. Music to go bananas to while watching the news & Forensic Files on mute.
Saba, an acclaimed Chicago rapper and producer, has a newly released a set of singles. One of these singles is “So and So”, which is accompanied by a stunning and spellbinding visual. A short video, it reaches just above the two-minute mark. In that short amount of time, Saba creates a visual that helps bring the track to life in a new way. Simply put, “So and So” addresses adversities and the act of being vulnerable. The opening lines of the song call for celebration of those who are able to overcome the obstacles that are thrown their way. While the video remains in one location throughout the short duration, the fact that the specific location can have its own message for anybody who watches it makes the viewing experience all the more relatable and inclusive.
“So and So”, while shorter than some other releases, gives the viewer the time to address what might sometimes be an uncomfortable admission. It is an honest approach to the reality of different struggles that make it hard to achieve great things. Saba is taking the chance to let viewers know that they too can overcome their own struggles.
When Heather Porcaro decided to jump back into music as her form of self-expression, she did so in a way that bends genre lines. This is reflected in “Charleston”, a heavy tune that addresses the suicide of her cousin’s brother. What makes it even more personal is that it was co-written by her cousin. Together, they crafted a story that takes you through various moments of time, stopping along the way at the most crucial and captivating moments to tell their story. For example, these stops may include heart shattering details about the final conversation that they had with the person who is no longer around. More than just a journey through time, Porcaro does what she does best, giving a sprinkle of different genres. This magic touch ties the entire project together, giving listeners jazz, pop, and even rock elements and an opportunity to dissect while listening.
When sitting down to listen to “Charleston” for the first time, you should be prepared for a heavy theme running throughout the track. While heartbreaking and real, it offers a chance to reflect while also appreciating the musical complexities that Porcaro has to offer.
With her new single “Moonlight”, Gillian Heidi proves to her audience that she has both the talent to impress vocally and the ability to draw you in with catchy chorus melodies and stunning metaphors. What starts off as a gentle guitar strum and notes of insecurity turns into mid-tempo ballad about the feeling of security when looking into the eyes of somebody who shines light into your life. This security is not uninterrupted for Heidi. The track does not shy away from the fear that can still linger even in the most secure moments of our lives. It actually does a magnificent job of highlighting that the fear of the unknown with this person can be a fulfilling, promising experience.
In a stunning display of freedom, Gillian Heidi lets the world know loud and clear that she has the creativity to narrate a story that progresses from those starter nerves to a full-on prance around nature’s most beautiful displays. All in all, she really is the one taking darkness and turning it into moonlight.
The critically acclaimed and Grammy-nominated band, Tank and The Bangas, have just put out their new EP, Friend Goals. Within this release sits the track “To Be Real”, a blissful ode to the joy of spending time with the group of people that brings out your favorite side of you. Created with the help of many fellow New Orleans-based artists, it acts as a bit of a narrative of what a typical weekend night out in the city is like. One may also speculate that the chorus feels like a longing for the time being described in the verses. Regardless, “To Be Real” paints the perfect picture of a fulfilling time with people we love.
Frontwoman Tarriona ‘Tank’ Ball says of the EP as a whole:
There are hair goals, body goals, but Tank and The Bangas are actual friend goals! This special EP is full of some of our favorite artists from New Orleans and around the globe. The fun, creative, energy is put into every track and each one is sure to have you dancing your quarantine blues away. We made this one just for you.
From young indie artist Patricia Lalor comes the hypnotic track “This Man Thought He Saved Me”, a reflection of possible insecurity. It may be hard to describe exactly what genre this falls under, but that is only because Lalor perfectly incorporates many elements of different genres, crafting a transcendent track. Starting off with a more electronic vibe, the song quickly and almost seamlessly shifts to a vibrant and prominent electric guitar, one that takes hold throughout the entire track. Viewers of the song’s music video can even spot Lalor strumming away on the guitar, a testament to the fact that the guitar really owns the whole song. While some of the rock genre is evident, it may be appropriate to take it a step further and call it a punk spectacle.
“This Man Thought He Saved Me” is a thrilling, not-so-straightforward take on feeling slightly inferior. Make no mistake, though, the track still radiates confidence in a more subtle way than normally depicted. One thing is for sure: Patricia Lalor leaves plenty of room for nuance.
